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The Implementation of Rewind in Braid

GDC Festival of Gaming2 HN recommenders · recommended in 2 months, 2018–2023
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talk · intermediate · evergreen · 2018–2023 on HN

Jonathan Blow's GDC talk explains how the time-rewind mechanic in Braid was designed and implemented, including the technical hurdles such as memory limits and state history. It covers both design and engineering concerns.

HN commenters cite it as the reference for how a rewind system works and as a point of comparison for undo and serialization approaches.

6 comments from Hacker News

@OnionBlender2023-11 · in “Braid, Anniversary Edition trailer [video]”

If you're curious how the time rewind was implemented, Blow did a GDC presentation back in 2010. ▶ this video

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@m00n2018-08 · in “Braid 10th anniversary critical compilation”

Seconded. It was a great game, albeit with not so much replay value. There is a great interview with Blow on the technicalities of the warping effects in Braid: ▶ this video In addition to Limbo and Inside, may I also recommend: Portal 1&2 Antichamber VVVVVV increpare.com In particular Stephen Lavelle (@increpare) makes games with much darker and more interesting social implications. Although, Braid accurately predicted the "nice guys" trope.

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@AnIdiotOnTheNet2023-03 · in ““Clean” Code, Horrible Performance – Casey Muratori [video]”

> I don't think that's an earned position. I disagree. > You say he has more credits but only one of those is programming since Braid. He did start a company after that you know. A successful one that makes money and employs people to make art . I don't imagine that running a business takes no time from his life. > But even at the time Braid could have been written in python SDL wrappers and probably had similar performance Braid did a lot more than you give it credit for. Here's a GDC talk about the rewind system in which he explains some of the hurdles he had to deal with: ▶ this video Pay particular attention to the discussion of the background particles and how to get that to work within the RAM constraints. > On the other hand, on a software engineering level those paint by numbers Modern Warfare and FIFA games are both more technically impressive and are designed for fast iteration Hardly anything about these games change from release to release. They're not exploring new gameplay problem spaces, they're not doing anything super interesting or surprising on a technical level either and I don't get why you think they are. Of course if you keep using essentially the same engine and know exactly what you're trying to make, making another like a goddamned factory is going to happen quicker than if you're trying to make something unique and meaningful. > If clean code is about maintenance and time to market, the Blow paradigm hasn't proven that its needed or fixes the holes in cl

@hbn2022-08 · in “From throwaway side project to Switch in 2 years: my indie gamedev story”

Is difficulty of implementation really a reliable indicator for the complexity in players understanding the mechanic? Jonathan Blow did a talk[1] at GDC a few years ago about implementing the time rewind mechanic in his game, Braid. It ended up being a pretty complex system that required a lot of ingenuity to come up with a design and implement it, but the end result is pretty straightforward and easy to understand for players. [1] ▶ this video

@steeleduncan2021-10 · in “Serialization-Based Undo”

It is interesting to compare this to Jonathan Blow's talk on the rewind system in Braid [1]. This stores complete game states using a compression library to keep memory under control, whereas Braid stored a combination of keyframes, and diffs from those keyframes, to avoid using a compression library. [1] ▶ this video