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4 Chords | Music Videos | The Axis Of Awesome

The Axis of Awesome3 HN recommenders · recommended in 3 months, 2012–2025
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comedy · general · evergreen · 2012–2025 on HN

A comedy-music medley from the Australian band The Axis of Awesome showing that dozens of famous pop songs use the same four-chord progression. The performers cycle through a long list of hits over the same chords.

HN commenters use it as the canonical demonstration that popular songs reuse one chord progression, especially in threads on music analysis and AI-generated music.

12 comments from Hacker News

@Sharlin2022-04 · in “What chords do you need?”

Heh, I just this afternoon listened to a radio show about the famously popular vi-IV-I-V/I-V-vi-IV chord progression [1]. If you haven't heard it before, the "4 Chords" medley by Axis of Awesome is a great demonstration of its ubiquity [2]. [1] link [2] ▶ this video

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@jcr2013-03 · in “I analyzed the chords to 1300 songs for patterns. Part 3 – Interactive Discovery”

Though a bit more on the "actual implementation" side of things, there's an Australian group called "Axis Of Awesome" who did an interesting song called "Four Chords". It shows the use of a set of four common chords in a lot of different songs. ▶ this video

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@csl2012-06 · in “I analyzed the chords to 1300 popular songs for patterns. This is what I found.”

On a related note (corniest pun of the day), the Australian musical comedy act Axis of Awesome made a song called Four Chords Song , which is basically a 47-song medley all using the same chord progression. link They've said that the chords are used by some of the most well known songs in the world, and their performance demonstrates this nicely, as in this clip: ▶ this video The above link is the official video; but they explain their reasoning better in this live performance: link

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@Twirrim2025-04 · in “I analyzed chord progressions in 680k songs”

By convention in music, we use Roman numerals to signify what chord we should play relative to the root (key). "I" refers to the root/tonic/key and we count up from there. [1] So, for example, a common three chord progression in a major scale would be I – IV – V. If we take the key of C, those would be C, F, G, as F and G are the fourth and fifth chords respectively. In the key of G, it'd be G, C and D. In that key, a good example song is "Sweet Home Alabama", where almost the entire song is just V - IV - I over and over again. One of the most popular chord progressions, used in an astounding number of pop songs is known as the "Four Chord Trick", I – V – VI – IV, famously demonstrated by the Aussie comedy band Axis of Awesome[2] I think I'd agree with the person you're replying to, both in that the original source is flawed due to not including the "dupes", despite them being important, and also because key is largely irrelevant, chord progression is much more important. [1] link [2] ▶ this video .

@ben_w2024-11 · in “Nvidia Fugatto: "World's Most Flexible Sound Machine"”

I think there's a lot of different reasons all simultaneously going on. Most human musicians have very little power; that's been going away for a long time, even since "canned music" "robots" pushed live bands out of cinemas a century ago: link Most popular music already feels, and to an extent is, fake. Not only because mere recording allows repeated takes until it's inhumanly "perfect". When I played an MP3 of Britney Spears to my mum around the turn of the century, she thought it was a robot singing because of the autotune. The Monkees was famously an attempt at a manufactured band whose members just happened to not feel like playing that game and did it for real, Gorillaz is even more obviously manufactured. Parasocial relationships are inherently different from "real" relationships, but the performers have to pretend that it's personal when they address a crowd or a camera. Axis of Awesome demonstrated the similarity of most modern hits with their "4 Chords": ▶ this video Those with the power were, possibly still are, the record labels; but if the AI are trained on the works of small musicians that can't afford the copyright cases or the political influence, but also whose works are not under the umbrella of the labels who do have those resources but not the right or short term motivation to intercede on their behalf, the big labels themselves may lose the consumer market to free AI output, while professionals will dismiss both the AI output and the label's output as "just